V&A Museum - rzeźba i ornamentyka

The little dear with the tiny black swan, by Alexander Stirling Calder (1870-1945). Sculpture. US, late 19th-20th century.

A sundial in Fairmount Park, Philadelphia, by Alexander Stirling Calder (1870-1945). Sculpture. US, late 19th-20th century.

Son of the Eagle, by Alexander Stirling Calder (1870-1945). Sculpture. US, late 19th-20th century.

Model for the Shakespeare Memorial, by Alexander Stirling Calder (1870-1945). Sculpture. US, late 19th-20th century.

A laughing boy, by Alexander Stirling Calder (1870-1945). Sculpture. US, late 19th-20th century.

Nations of the East, by Alexander Stirling Calder (1870-1945). Sculpture. US, late 19th-20th century.

Greco Buddhist statue of a seated king from Gandhara. Stone sculpture. Lahore Museum, Pakistan, 1st to 2nd century.

Greco Buddhist statue of a king from Gandhara. Stone sculpture. Lahore Museum, Pakistan, 1st to 2nd century.

Candle-bearing angel, one of the sculptures known as the Wolsey Angels originally designed for the tomb of Cardinal Thomas Wolsey, by Benedetto da Rov...

Candle-bearing angel, one of the sculptures known as the Wolsey Angels originally designed for the tomb of Cardinal Thomas Wolsey, with beaded headban...

Terracotta sculptures on the outside of the National Art Library windows, Victoria and Albert Museum, London. The sculptures with gagged mouths are re...

Ceramic Staircase, detail, outside The Sculpture Department Offices, Victoria and Albert Museum. London, March 2013.

Albert, Prince Consort (1819-61), by Matthew Noble (1817-76). Bust, ivory. Britain, c.1860.

Designs for goldsmiths' ornament depicting grotesque decoration for beakers, print by Johann Sibmacher (-1611). Engraving. Germany, 1596.

Designs for goldsmiths' ornament depicting grotesque decoration for beakers, print by Johann Sibmacher (-1611). Engraving. Germany, 1596.

Illustration Plate 18 - Wool Damask : Early 19th century from The Application of Ornament, by Lewis Foreman Day (1845-1910). Photo-lithography by G.F....

Illustrated plate from The Grammar of Ornament Volume I, by Owen Jones (1809??"74). One hundred folio plates drawn on stone by F. Bedford and printed...

Illustrated plate from The Grammar of Ornament Volume I, by Owen Jones (1809??"74). One hundred folio plates drawn on stone by F. Bedford and printed...

Neptune and Triton, by Gian Lorenzo Bernini (1598-1680). Marble. Rome, Italy, c.1622-23.

The Veroli Casket. Wood, bone and ivory. Costantinopole, c.1000.

Youth Leading a Rearing Horse, by Agostino Busti called Bambaia (c.1483??" 1548). Marble. Milan, Italy, 16th century.

The Veroli Casket. Wood, bone and ivory. Costantinopole, c.1000.

The Christoph Fugger (1561-1612) Altar, relief & statuettes, sculpted by Hubert Gerhard (1540s-1620), cast by Carlo di Cesare del Palagio (1540-98), g...

Unfinished cameo of a woman. Agate. England, 19th century.

Octagonal intaglio of a long horn cow with white plaster model, by Edward Burch (1730-1814). Cornelian. England, 18th-19th century.

The Judgement of Solomon, by Simon Troger (c.1694-1769). Ivory. Germany, early 18th century

The Judgement of Paris, by Valerio Belli (c.1468??"1546). Rock crystal. Italy, 1500-50.

Portrait bust of Richard Temple, first Viscount Cobham (1675-1749), by Peter Scheemakers (1691-1781). Marble. England, c.1740.

Carved cravat, by Grinling Gibbons (1648-1721). Limewood, with raised and openwork carving. London, Great Britain, c.1690.

Sculpture of dancer Loie Fuller, by Louis-Auguste-Th??odore Rivi??re (1857-1912). Marble. France, c.1896.

A bishop saint, by Alfred Gilbert (1854-1934). Ivory, copper foil and lead foil set on an ebonised wood socle. England, c.1892-99.

The Harrowing of Hell. Anonymous. Christ, with the cross-staff of the Resurrection, symbol of victory over death, looks at Adam, Eve, John the Baptist...

Passover plate, by Leib bar Yitzak. Pewter. Germany, c.18th century.

The Soissons Diptych, scenes from The Passion of Christ, including Judas betrayal, the Crucifixion, Ascension and Pentecost. Ivory. Paris, France, 128...

The Crucifixion. Ivory. Metz, France, 9th century.

Miracle at Cana. Ivory sculpture. Italy, 11th century.

Plaque showing Christ with 2 Angels surrounded by instruments of the Passion. Silver. Netherlands, 17th century.

St Jerome depicted as the 'penitent saint'. Silver plaque. Germany, 17th century.

St Augustine. Silver and parcel-gilt. Spain, 16th century.

Library Commode or Writing Table, detail. Mahogany and padouk inlaid with brass, with gilt bronze mounts. Fonthill Splendens, Wiltshire, England, 1757...

Chinese woman, detail of mirror. Carved oak and pine, japanned, painted and gold coloured with glass. London, England, c.1760.

Figure of Li Tieguai, a Buddhist Monk on a cloud. Porcelain, Blanc de Chine. Dehua, China, 17th century.

Pair of Capitals. Carved pine wood. England, c.1775.

Anne, Duchess of Richmond, by Giovanni Battista Guelfi. Cast or modelled terracotta. London, England, 1730-34.

Henry Woodward, by Bow porcelain factory after Francis Hayman (1708-76). Soft-paste porcelain. London, England, c.1750.

Mould and Plastercast. Mould for plaster ornament and composition pressing. England, 18th-19th century.

Boy and Girl with a Goose, by Pierino da Vinci (1531-54) and Niccolo Triboli. Moulded terracotta. Florence, Italy, c.1550.

Apollo and Clytie, busts by William Taylor Copeland (1797-1868). Parian ware, made at Copeland Porcelain Factory. England, 1855.

The Stoning of St. Stephen, by Grinling Gibbons (1648-1721). Wood carving in limewood, lancewood and some later paint. England, c.1680.

Thomas Baker (1606-58), by Giovanni Lorenzo Bernini (1598-1680). Marble on wooden pedestal. England, early 17th century.